Every issue of Haute Lumière stays open — free to read, free to cite, deposited with a DOI anyone can download. What you pay for is the work turned back on you: an instrument run properly, a report composed in your own material, a person in the room.
For one reader
$345per report, charged once
The bespoke instrument report
You answer the instrument in full; the press composes a bespoke illuminated report from your own material — roughly 4,500 words, yours to keep and to print. Individual reports of this kind run $200–$400 elsewhere, and those come back as a bar chart.
For a house
$1,260per instrument, charged once
The organisational instrument
The Shadow Mirror, the Keystone Audit, the Trauma Timeline or the Consciousness Metrics, run across a team and returned as a dossier written for the leadership hour — including the four things nobody has said out loud yet.
The membership
$144per year · first two weeks free
The illustrated edition, annually
Every new edition as it arrives, bound whole, with each instrument inside it open to you and kept across your devices. First refusal on retreat seats and consultation windows. Cancel from your own account, no interview.
The circle
$2,000per year, everything below included
The Annual Circle
A year in company: group coaching classes and workshops running right through the calendar, every edition bound as it arrives, every instrument open to you, and the transcripts and dossiers afterwards. The room is small on purpose — you will be recognised in it by the second session, which is rather the point.
With a person
$5,000per month
Individual coaching
Sessions, correspondence between them, and the instruments run alongside the work. For the reader who wants the work done with them rather than to them.
With the whole house
$10,000+per month, scaled to scope
Organisational facilitation
Leadership retreats, shadow work, purpose circles, and the dossiers that follow. Beginning at this rate; the shape is set in an opening conversation.
Every edition on the shelf, every article in it, and every instrument you can simply sit with. Nothing already published moves behind a wall — the deposits stay citable and the PDFs stay downloadable. What is charged is composition and company, never access to the writing.